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依阿高剧本的独白性

On Monologue Nature of Iago's Plays
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摘要 理解《奥赛罗》的关键之一是语言。依阿高作为"剧中的剧作家",投机语言,用独白性的剧本束缚人物的思想,用混乱的语言符号系统颠倒黑白,完成了破坏。但是依阿高夸大了语言符号的任意性,忽视了语言符号的规约性,他的成功之处也恰是失败之处,其独白性剧本最终被复调所冲破。 One key to understanding Othello is its language. Iago, as the dramatist of the play, use opportunistic languages and monologue play to bond the thoughts of characters, and use confusing language semiotic system to confuse right and wrong, completing the damage. However, he exaggerates the free nature of language semiotic system, neglecting the principles of language semiotic system. His success in expression also represents his failure and his monologue plays is broken through by repeated tune.
作者 张俊梅
出处 《牡丹江教育学院学报》 2011年第1期7-8,16,共3页 Journal of Mudanjiang College of Education
关键词 奥赛罗 依阿高 剧中的剧作家 独白性 复调 Othello Iago the dramatist of the play Monologue Nature repeated tune
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  • 1(瑞士)费迪南·德·索绪尔(FerdinanddeSaussure)著,裴文.普通语言学教程[M]江苏教育出版社,2002.

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