摘要
随着图像时代的到来,文学必须面对视觉文化的转向。新世纪以来,文学的影视改编现象层出不穷,然而相关的改编研究却略显滞后,不仅数量上匮乏,观念与方法也落于窠臼,但仍取得了一定的进展,主要体现在从叙事学的角度对文学进行影视改编研究。通过历时性地梳理文学的影视改编研究,可以认为其旨归在于探究改编作为一种艺术方法的原理、意义与美学价值,而研究的起点则是厘清文学与影视二者在艺术形式上的异同,提出了一些值得共同探讨的具体问题。
With the arrival of image era, the literature must face the turn of visual culture. Since the beginning of the 21st centu- ry, the phenomenon of the adaptation of literary works to movies and televisions emerged endlessly, but the related research on the adaptation is slightly behind, not only the quantity is scarce, but also the concepts and methods of adaptation study are old - fashioned. However there are still some progresses, mainly reflected in the research of adaptation from narrative perspective. By means of sorting out the adaptation study diachronically, we consider that the goal is to explore the aesthetic value, theory and significance of adaptation as an art method. The starting point of this study is making it clear that the similarities and differences of art forms between literature works and movies and televisions. Moreover, this article puts forward some specific questions that deserve to be discussed together.
出处
《贵州师范大学学报(社会科学版)》
CSSCI
2011年第1期113-117,共5页
Journal of Guizhou Normal University(Social Sciences)
关键词
文学
影视
改编研究
述评
literature
movies and televisions
study of adaptation
review