摘要
沈从文极力建构的镜像世界无疑是中国现代文化史上最靓丽的文化景观之一。这种镜像超越于现存生活和世界之上,试图掩盖现实的不幸以达到世俗的反思、救赎和拯救的目的,实现个体对幸福、诗意世界的追求,表达对人性和自由和谐、自然自在生活的召唤,使一个与现实相去甚远,超凡脱俗艺术领域得以重现。通过叙述语言的"诗意"言说、自由的寻觅到本真的生存、走向诗意的栖居路径,可以揭示沈从文自然、自在、自由以及本体存在的美学精神和"返乡"主题,深层解读沈从文心灵家园的文化精神寓意。
The mirror-image world constructed by Shen Cong-wen is undoubtedly one of the most beautiful and attractive cultural vistas in modem Chinese cultural history. This mirror-image, transcending existing life and world, endeavors to achieve the goal of earthly reflection, redemption and salvation by covering the realistic misfor- tunes, realizing an individual's pursuit of happiness and poetic world, calling for a humane, harmonious, natural and carefree life, and re-presenting an unearthly artistic field which is far from reality. Shen Cong-wen's aestheticism of nature, carefree, liberty and authentic being and his theme of "returning home" can be explored by the " poetic" speech of narrative language, the free seeking of authentic living and the path of moving towards a poetic residency, then an in-depth reading is given to Shen Cong-wen's cultural and mental allegory of his spiritual homeland.
出处
《湖北民族学院学报(哲学社会科学版)》
2011年第1期112-115,共4页
Journal of Hubei Minzu University:Philosophy and Social Sciences
关键词
诗意栖居
本真存在
返乡
poetic dwelling
authentic existence
returning home