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由《风波亭》、《伍子胥》等剧看京剧“忠”观念的双重价值取向

The Double Value Orientation of Loyalty Ideas in Peking Opera from the Opera Storm Pavillion and Wu Zixu
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摘要 京剧形成于清代,属艺人剧。艺人剧的价值取向取决于平民而非作者本身,所以,艺人剧作本身就是平民愿望的集体展示。通过传统京剧历史故事戏个案剧本的研究,追本溯源,深入探讨传统京剧中"忠"观念产生的现实基础和历史渊源,从而把握其双重价值取向的内涵。 Peking Opera that was formed in the Qing Dynasty and is the artist opera.The value orientation of artist opera depends on civilian,not author himself.Thus,the artist opera itself is the collective show of the civilian aspiration in nature.In this paper,the case scripts of historical story opera in traditional Peking Opera are studied at first.Then,the backgrounds in history and reality are introduced to trace the origin of Peking Opera.Finally,the double value orientation appeared in the loyalty ideas and its background in reality and origin in history are analyzed.
作者 朱俊丽
出处 《河南教育学院学报(哲学社会科学版)》 2011年第1期130-135,共6页 Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词 京剧历史故事戏 “忠”观念 奸臣误国论 双向君臣观 价值取向 historical story opera in traditional Peking Opera loyalty ideas the theory of "traitor doing harm to country" the double "emperor and minister relation" theory value orientation
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