摘要
"感伤"情调作为前期创造社最为彰显的情感氛围,普遍地弥散于其文学创作中。就其创作的传统文学资源而言,中国文学内部源远流长的主情主义诗学传统潜移默化地浸润着作家们的精神气质和审美意识;对"大团圆"的审美心理习惯和"哀而不伤"的传统美学风格的反拨,铸就了其作品感伤的现代新质;对儒家参与精神和忧患意识的传承以及对魏晋名士放浪形骸作风的刻意模仿,进一步促成了创造社文学浪漫感伤的气质风度。
As the emotional mark which the Creation Society presents most obviously,sentiment fills the air generally in its literature.Speaking of its resources from traditional literature,the tradition of sentimentalism in Chinese literature infiltrates author's spirit and esthetic consciousness subtly;criticism on the esthetic psychological custom of happy ending and the tradition of implicit esthetics style finally constucts romantic and sentimental style of literature in the Creation Society.
出处
《河南教育学院学报(哲学社会科学版)》
2011年第1期139-140,F0003,共3页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词
抒情主义
创造社
文学
感伤情调
lyricism
The Creation Society
literature
sentiment