摘要
作为联邦德国第一部获得世界声誉的长篇巨著,《铁皮鼓》从呆小症患者奥斯卡.马策拉特的视角展示了德国那段最黑暗的、难以言说的历史。苏珊·桑塔格的专著《疾病的隐喻》则通过切身经历深刻剖析了疾病所隐藏的道德涵义和社会不公。本文以疾病的隐喻意义作为切入点,探究隐藏在《铁皮鼓》华丽的故事叙述和奔放想象之下的个人的、历史的、政治的隐含意义:个人作为病人、犹太人作为"劣等民族"作为多余的"他者"的生存。
As the first world-renowned novel of the postwar Germany,Die Blechtrommel depicts the darkest and unspeakable era in German history as witnessed by Oskar Mat Erath,a cretinism patient.Inspired by Susan Sontag's Illness as Metaphor,which dissects the moral burden and social injustice hidden in the symbol of illness,the novel's personal,historical,and political implications is to be explored from the perspective of the bitter existence of those labeled as the undesired "the Other"—— individuals as patients and Jews as "the inferior race"—— under Gunter Grass's elaborate narration and bold imagination.
出处
《陇东学院学报》
2011年第1期65-67,共3页
Journal of Longdong University
基金
北京林业大学人文社科振兴项目(BLRW200958)
北京林业大学科技创新计划(RW2010-9)