摘要
美国作家沃克·珀西的小说《迷失宇宙中》将读者召入到社会反讽和反省的沼泽之中。一旦被存在主义的自助工程的本质所吸引,我们就得接受理珀西的符号学理论的观念。这些袭击设定了在后现代世界中什么是意味被声音化的底版,也激励人们思考H·K·巴哈的那个与主体间性和多重文化之理论相关的第三空间概念。
American Author Walker Percy's novel,Lost in the Cosmos,calls the reader into a morass of social irony and introspection.While at once consumed by the nature of an existential self-help project,we are also treated to Percy's concepts of semiotic theory.These forays posit a version of what it means to be voiced in a post-modern world,and encourage a consideration of H.K.Bhabha's Third Space as it pertains to intersubjectivity and multicultural theories.
出处
《湖南工业大学学报(社会科学版)》
2011年第1期106-109,共4页
Journal of Hunan University of Technology(Social Science Edition)