清代桐城派文论中的文气论

Discussing the "Qi" of the Tongcheng School's Literary Theory in the Qing Dynasty

清代桐城派文论中的文气论,可大致分为三个阶段:一是桐城开创者的文气论,二是桐城中继者的文气论,三是桐城后学者的文气论。其内容,主要体现在三个方面:或对"气"作为文章审美之本予以标树,或对文气审美特征与要求进行探讨,或从文章写作角度对"气"予以考察。上述三个阶段与三个方面,标示出我国古典文气论发展到桐城派文论家手中,其在多维面上得到了拓展、充实与深化。

The discussion about the ＂Qi＂ of the Tongcheng School＇s literary theory in the Qing Dynasty may fall into three phases： the ＂Qi＂ of founders of the Tongcheng School, the ＂Qi＂ of followers of the Tongcheng School and the ＂Qi＂ of supporters of the Tongcheng School. The contents fall mainly into three aspects： the praise of ＂Qi＂ as the prose aesthetic basis, the discussion of its aesthetic character and requirement, the reflection of ＂Qi＂ from the angle of writing. These three phases and three aspects indicate the multi-dimensional expansion, enrichment and deepening of ＂Qi＂ from the traditional Chinese literary theory to the period of the Tongcheng School.