摘要
明代风行一时的词学选本《草堂诗余》传至有清却湮没不彰,学界一般认为这是清代浙西词派崇雅鄙俗词学思想致使的,而事实绝非如此简单。《草堂诗余》是应征歌之需产生的歌本,与话本说唱文学有密切的互动关系。《草堂诗余》清代不传与清代对说话艺术的禁毁及话本小说艺术形式的新变、传播方式的改变等皆有重要之联系,是一种文化合力推动下所形成的文学现象。
In Ming dynasty,Cao Tang Shi Yu was a popular anthology of Ci Poetry.But it vanished in Qing dynasty.The research circle used to believe that was caused by the West-Zhe School′s revering elegance and despising vulgarness.However,by exploring the interactive relationship between storytellers′ script and Shi Ci,i find Cao Tang Shi Yu′ s no transmission was a cooperation of culture power,and it connect to the forbidden of story-tellers′ script in Qing dynasty,and the artistic form change of story-tellers′ script,and the change of dissemination mode etc.
出处
《内蒙古大学学报(哲学社会科学版)》
CSSCI
北大核心
2011年第1期99-103,共5页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
关键词
草堂诗余
话本艺术
诗文互动
传播
Cao Tang Shi Yu
story-tellers′ script
the interactive relationship between poetry and essay
dissemination