论《回廊之椅》的电影化想象

Cinematic Imagination of Chair In The Aisle

林白的小说《回廊之椅》将影视叙事技法消融在文学的表现形式之中,使读者既能享受到类似观影的"震惊"效果,又能品味到文学叙事的审美"灵韵"。这种小说中的电影化想象具体表现为三个方面:蒙太奇手法的综合运用、神秘氛围的渲染和大量悬疑的设置和富有动感和美感的镜头语言的运用。

Chair in the Aisle written by Lin Bai lets us enjoy both shock experience of seeing the film and aesthetic aura of tasting literature by integrating with narrative skills of film-television.The cinematic imagination in this novel focuses on three aspects： First,the integrated use of the montage technique;Second,the rendering of the mysterious atmosphere and the settings of the large suspense;Third,the use of the dynamic and aesthetic camera language.