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两幅荒诞画卷下的沉思——《动物园的故事》与《最后一盘录音带》之比较研究 被引量:11

Meditation on Two Absurd Picture Scrolls:A Comparative Study of The Zoo Story and Krapp's Last Tape
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摘要 塞缪尔·贝克特的《最后一盘录音带》和爱德华·阿尔比的《动物园的故事》都属于荒诞派剧作,但蕴含着诸多不同之处。本文拟分析两剧的相似性,但重点从三个方面比较两剧的差异:"无形的戏剧冲突"对"有形的戏剧冲突";"消解性的戏剧语言和戏剧动作"对"构建性的戏剧语言和戏剧动作";"无为的寓意"对"有为的寓意"。两剧的对比研究有助于加深对欧美荒诞派戏剧的认识和理解。 The Zoo Story by Edwar Albee and Krapp's Last Tape by Samuel Beckett are two absurd plays,but there are lots of differences between them.This article briefly analyzes the similarities of the two plays and explores their differences from three aspects:"invisible dramatic conflict"versus"visible dramatic conflict";"deconstructive dramatic language and dramatic movement" versus "constructive dramatic language and dramatic movement";"inactive implied meaning " versus "active implied meaning".This comparative study helps us better understand European and American absurd plays.
作者 张军
出处 《国外文学》 CSSCI 北大核心 2011年第1期144-151,共8页 Foreign Literatures
关键词 《动物园的故事》 《最后一盘录音带》 荒诞 The Zoo Story Krapp's Last Tape absurd
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  • 1Lois Oppenheim, Palgrave and Advances in Samuel Beckett Studies (New York. Palgrave McMillan, 2004) , p. 209.
  • 2Samuel Beckett, Karpp's Last Tape (London. Faber and Faber, 1959), p. 9.
  • 3Yang Kangshen, Selected Readings in American Literature (Book III) (Shanghai. Shanghai Translation Publishing House, 1996), p. 698.
  • 4Pascale Csanova, Samuel Beekett Anatomy of a Literary Revolution (London. Verso, 2006) , p. 93, p. 92.
  • 5James Acheson and Kateryna Arthur, Beckett't Later Fiction and Drama (New York. St. Martin's Press, 1987), p. 36.
  • 6Samuel Beckett, " German Letter of 1937 " in Disjecta. Miscellaneo us Writings and a Dramatic Fragment ( London . John Calder, 1983), pp. 53 -54.
  • 7Harold Bloom, Modern Critical Interpretations . Samuel Beckett's Waiting for Godot ( London. Chelsea House Publishers, 1987), p. 13.
  • 8J.H.劳逊.《戏剧与电影的剧作理论与技巧》,牧君、齐雷译,中国电影出版社1980年版,13页.
  • 9Israel Shenker, " Moody Man of Letters", in New York Times (May6, 1956), p. 1.
  • 10Ronan McDonald, The Cambridge Introduction to Samuel Beckett (London. Cambridge University Press, 2006 ), p. 61.

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