论甲申史剧——兼谈历史、现实、历史剧的关系

On Historical Play of Jia Shen——Also on the Relation between History and Reality and Historical Play

郭沫若的《甲申三百年祭》发表后,毛泽东和中共中央高度重视,把这篇文章印发全党作为整风文件。在此政治语境下,解放区出现了《李闯王》、《闯王进京》、《甲申记》等以李自成起义为题材的戏剧作品。这些戏剧作品在戏剧情节、人物形象上表现出了较大差异,这也反映出他们在创作意图上的差别,进而表现在他们对毛泽东、郭沫若,以及大家对三百年前甲申年那段历史的误读。

After Guo Moruo＇ s ＇ The Jiashen festa＇ for three hundred years published, Mao Zedong and the Central Committee of the Chinese Communist Party attach great importance to it, and print and distribute the article to the entire Party as a rectification document. In this context, plays about Li Zicheng Uprising, such as King Li Chuang, King Chuang capturing Capital, Jia Shen Ji, appear in the liberated area. This paper makes a comparative analysis of these plays in terms of plot and character, and on this basis, articulates all the details of various misreadings, and researches the internal relation between history and reality and historical play under misreadings.