敍事與嘲調:宋元説話伎藝的兩脈

Narrative and Ridicule:the Two Systems of ShuoHua in the Song and Yuan Dynasties

考察历代相关文献关於“说话”伎艺的宗旨、形态的记述，宋元说话伎艺并不必然地只包括故事讲说，它实由俳优的语言表演伎艺发展而来，应有叙事、嘲调两条发展脉．络，并由此变化出说话伎艺的不同形态，分属於叙事类说话伎艺和嘲调类说话伎艺。叙事、嘲调分别体现了宋元说话伎艺两脤表演的宗旨、形态和方式。这一理析既有利於认识宋元说话伎艺作为语言表演伎艺的渊源和全貌，也有利於认识宋元小说、戏曲和说唱伎艺的形态及其关联。

ShuoHua developed from PaiYu’s performance using words,is not limit in the art form of storytelling, but include two systems: One is narrative, the other is ridicule, from that ShuoHua takes on a variety of form which belong to narrative ShuoHua and ridicule ShuoHua. Narrative and Ridicule represent separately purpose, style and presentation of performance of two systems. The research will be of great help to understand comprehensively the origin and appearance of ShuoHua, as well as understand characteristics of novel and traditional opera and impacts between themselves and ShuoHua in the Song and Yuan dynasties.