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试析果戈理笔下的“闯入者”形象及其叙事模式 被引量:2

On the Images of "Intruder" and the Narrative Mode in Nikolai Gogol's Works
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摘要 在果戈理的成名作《狄康卡近乡夜话》中,源于乌克兰民间传说中的魔鬼、巫师等形象均拥有魔法力量。这类虚幻而神秘的形象成了日常生活的"闯入者",使生活常态趋向怪诞化,这给作家展现和揭示现实生活的本质提供了自由和便利。在果戈理后来的创作中,随着题材的不断拓展和作品现实性的日渐加强,用来充当"闯入者"的对象物不再是魔鬼或巫师,作品中魔法力量的拥有者先后换成了神奇之物和现实人物。亦真亦幻的"闯入者"形象屡屡现身于果戈理的作品,这不仅成为果戈理建构叙事的一种常用范式,而且体现着其文学创作的艺术特色。 In Nikolai Gogol's masterpiece entitled Evenings on a Farm near Dikanka, the demons and witches, originating from Ukrainian folks and legends, all have magic power. These illusionary and mysterious images turn out to be the "intruders" in daily life, which leads normal daily life to absurdity. With these images, the author finds convenience in presenting and exposing the nature of real life. In his later works, Gogol expands the thematic concern and enhances the realistic nature in his writing. The "intruders" are not demons and witches any more, but rather mysterious objects and real human beings. These images, half-real and half-illusionary, frequently appear in Gogol's works, which characterizes not only Gogol's narrative mode but also his literary creation.
作者 胡学星
出处 《俄罗斯文艺》 CSSCI 北大核心 2011年第1期60-65,共6页 Russian Literature & Arts
关键词 果戈理 “闯入者” 叙事模式 Nikolai Gogol intruder narrative mode
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参考文献5

  • 1果戈理:果戈理幽默作品选[M],王加兴译,漓江出版社,1999.
  • 2果戈理:彼得堡故事[M],满涛译,人民文学出版社,1957.
  • 3曹靖华主编.俄国文学史(上卷)[M],北京大学出版社,2007.
  • 4果戈理:死魂灵[M],满涛、许庆道译,人民文学出版社,1996.
  • 5叶夫多基莫夫:俄罗斯思想中的基督[M],杨德友译,学林出版社,1999.

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