摘要
茅坤作为明代著名散文批评家,其散文观体现了明中期散文观从理性到感性、从教化到人情化的过程。其中,对情与物之关系的阐释尤能显示他对古代散文学的独特贡献。无论是"万物之情,各有其至"的理论提出,还是《唐宋八大家文钞》的评点体验,或是其自身的创作实践,"情与物"的内在关联性皆是其散文观的核心命题。
As a famous prose critic in the Ming dynasty,Mao Kun's view of prose essays reflects the prose view in the middle Ming dynasty,experiencing the process from rationality to perception,from enlightenment to humanity.Among them,the interpretation of the relationship between feeling and object especially shows his unique contribution to ancient prose.The intrinsic relationship of "feeling and object" is the core of his prose outlook proposition.
出处
《绥化学院学报》
2011年第1期91-93,共3页
Journal of Suihua University
关键词
茅坤
散文观
情
物
Mao Kun
prose view
feeling
object