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哈罗德·品特剧作《生日晚会》中的自恋人格 被引量:1

Narcissistic Personality as Reflected in Harold Pinter's "The Birthday Party"
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摘要 《生日晚会》是英国当代戏剧家哈罗德·品特的著名剧作。从精神分析角度研究剧中"荒诞"的人物语言及行为,可看出其背后隐藏着人物的自恋人格。剧中人物在父母亲情等"他人之爱"缺失的环境下形成自恋人格,只关注自我、无法体察他人情感、惯于自我夸大、沉湎于幻想、安全感缺失,易于发怒。对该类自恋人物的塑造,体现了剧作家对西方现代人心理现实的精确捕捉。 From the angle of psychoanalysis, this essay notices that behind the "absurd" characters of Harold Pinter's "The Birthday Party" (1958) hides their narcissistic personality. By presenting the images of individuals who have been deprived of love, who are self-absorbed, lack empathy, keep a grandiose self, constantly indulge in fantasies and are haunted by the sense of insecurity, Pinter explores the psychological crisis of the modem Western society.
作者 汤素娜
机构地区 广东培正学院
出处 《绥化学院学报》 2011年第1期107-109,共3页 Journal of Suihua University
关键词 品特《生日晚会》 自恋人格 精神分析 Harold Pinter, "The Birthday Party", narcissism, psychoanalysis
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参考文献10

  • 1Bernard F.Dukore, Harold Pinter [M].London and Basingstoke: Macmillan, 1982.
  • 2Esslith Martin. The Theatre of the Absurd [M]. Third Edition. London: Methuen, 2001.
  • 3Kernberg, Otta Borderline Conditions and Pathological Narcissism [M]. New Jersey: Jason Aronson, 1975.
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  • 5[美]克里斯托弗一拉斯奇.陈红雯,吕明译.自恋主义文化期望渐失时代的美国生活[M].上海:上海文化出版社,1988.
  • 6Pinter, Harold. The Birthday Party [M]. London: London Methuen & Co. Ltd., 1965.
  • 7http://en.wikipedia.org/wiki/Harold_Pinter [DB/OL].2008- 6-18.
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  • 9Frosh, Stephen. Identity Crisis: Modernity, Psychoanalysis and the Self [M]. London: The Macmillian,1991.
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