表现的深切,格式的特别——鲁迅《秋夜》的内在节奏及其相关的诗学问题

Profundity in Expression and the Specialty in Form:On the Inner Rhythm and Other Poetics' Problems of Lu Xun's Qiuye

在中国现代文学史上,鲁迅的《野草》是一个非常独特的文本。很多研究者从不同角度进行了深入探索,但依然有许多问题待进一步研究。《秋夜》是《野草》的第一篇,对我们从诗学和思想内涵的角度理解《野草》具有非常重要的意义。《秋夜》是鲁迅审美创造活动的呈现,它是作者心物交融的产物。"心""物"之间呈现出动态互动关系,它表现出一个有规律性的交替变化,这构成了审美活动的内在节奏。这一节奏由三个节拍构成,每个节拍构成如下:物→心→物→心→物。就其思想内涵而言,是鲁迅对未来想象的消极乃至绝望;整个诗篇在形式上具有明显的对话性和复调性。

In the history of modern Chinese literary,Luxun＇s ＂Yecao＂ is a unique text.Many academicians has probed from different aspects,but many problems need further studying.＂Qiuye＂ is the first paper in ＂Yecao＂,which is very important for us to understand ＂Yecao＂ from poetics and connotation.＂Qiuye＂ which is the product of the blending of spirits and objects displays Luxun＇s aesthetic creation.The dynamic relation between mind and object forms inner rhythm of aesthetic activities.It＇s inner rhythm shows three beat,and evry beat＇s structure is followed： thing→mind→thing→mind→thing.In sense,it is negative and even despair to the future.In form,it displays dialogic and polyphonic.