“无我境界”在庞德诗歌中的延展

Ezra Pound's Poems Applying "Non-Subjective State" Chinese Poetic Aestheticism

从"意象主义"到"漩涡主义",埃兹拉.庞德这个振臂高呼"日日新"的新诗运动领军人物,在反对维多利亚式浪漫主义陈腐做作的艺术技巧的同时,从中国古典诗歌的美学准则中汲取其创作的养分。在他的诗歌中,庞德摈弃了西方自然诗歌中将形式凌驾于内容之上夸饰型的浪漫主义诗歌传统。这种传统侧重于表现诗人的主体思维和想象力,与客体自然界产生明显的界限。庞德在中国古典诗歌的美学原则中,找到方向。把无我境界移入到自己诗歌创作中。无我境界是主体的自我站在客体大自然的立场来体验自然,将"意象"与"境象"契合交融起来,泯除主客体的界限,达到"物我俱忘怀"的境界。为失去活力的美国诗歌输入了新鲜血液。

When Ezra Pound launched the Imagist Movement and later Vorticism and proclaimed ＂Make it new＂,ironically he was not saying something that new.This article proclaims that Chinese poetic aestheticism provides inspiration for Pound.Abandoning Victorian genteel romantic tradition in poetry,Pound resorted to ＂non-subjective state＂,the perfect principle of Chinese poetic aestheticism.Unlike Victorian romantic tradition with the emphasis on the importance of imagination and subjectivity,＂Non-subjective state＂ lays a new orientation for Pound＇s poems,in which the self as the subject takes the stance of nature to view things and thus tries to be part of nature.