摘要
郑午昌《中国美术史》是继《中国画学全史》之后撰写的又一部重要的美术史著作。本文从历史观、体例特征和美术形式的选择三个角度,对《中国美术史》进行梳理和研究,以期了解郑午昌治中国美术史的思路和特征。
Chinese Fine Art History is one importantwork of fine art history written by Zheng Wuchangagain after the Overall History of Chinese PaintingStudy. Studying from the three aspects: historical view,style character, and choice of art form, this thesisorganizes and researches the Chinese Fine Art History,and expects to understand the thinking way and char-acter of Zheng’s work on Chinese art history.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2011年第1期36-39,177,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
郑午昌
《中国美术史》
历史观
体例
形式
Zheng Wuchang,Chinese Fine Art History,historical view,style,form