试论魏晋十六国壁画题材的配置——以河西走廊墓葬壁画为例

On Scheme of Subjects of Murals in Sixteen Nations of Wei and Jin Dynasties---Taking Murals in Tombs in Gansu Corridor as an Example

在河西走廊魏晋十六国时期的双室墓和三室墓前室壁画中,墓主人画像所在的后壁是画像所要表现的最重要的内容,其余画像内容均以此为中心向左右两面展开到前壁的墓门两侧。虽然有些图像的内容和展开方向相反,但是基本图像的配置规律是一致的,也是有一定习惯约束的,表现了独特的丧葬绘画习俗。

In the murals in the atria of two-room andthree-room tombs in Sixteen Nations of Wei and Jin Dy-nasties in Gansu Corridor, the back wall where portraitsof the tomb hosts were are the most important contentthat the murals would express, and other portraits allextend from the center to the left and right to the sides ofthe front gate in the front wall. Although images of somecontent are opposite to the direction they extend to, thebasic scheme rule of images is the same, is organized bycertain habits, and expresses unique customs of funeralpaintings.