影像控制下的战后美国现代主义建筑——以美国西海岸的建筑影像为例

The postwar American Architecture of Modernism under the image Control—An Research on the Architectural images of the west coast of the America

本文从"影像"与"建筑"的关系这一角度出发,试图针对朱利斯·舒尔曼和查尔斯·伊姆斯等人的建筑影像控制"展开分析.并由此扩展为对战后美国现代主义建筑的兴起与其自身的"影像"之关系的研究。这一研究将有助于在媒介泛滥的今天重新审视那一段广为人知的历史,帮助人们更加立体地看待美国现代主义成形的历程.从而明晰"影像控制"制造的"再现"与现实世界的差异。

Basing on the relationship between ＂images＂ and ＂architecture＂, the analysis of this article try to focus on＇ the Image control＂ in the works of Julius Shulman, Charles Eames and etc. Then the article will expand on this analysis to the research on relationship of the post-war American modemism＇s rise and its own image. Today, medium have been in everywhere of our modern life. In this situation, the research will help people reconsider the progress of the American modernism in the post-war period and make differences between the representation and the real world more clearly.