摘要
作为中国现代小说成熟的重要标志,《呐喊》和《彷徨》共同表现了鲁迅对20世纪初现代中国现实的宏观感悟和自我生命的认识。但是深入梳理考察,并将两者进行比较之后会发现,两本小说集在内、外两个方面呈现出一定的嬗变轨迹,一是自我把握的优越意识到无能为力;二是社会探索的独特悲观到彻底绝望。正是在上述两方面嬗变的作用下,《呐喊》与《彷徨》分别具有了各自不同的风貌。
As an important ripe mark of Chinese modern novel,Nahan and Panghuang express Lu Xun's central perception of 20th Chinese reality and self.But comparing two collected stories,we find some changing track in terms of inside and outside aspects.One is from the superiority of self knowledge to helplessness;the other is from the unique pessimism of social explorations to complete despair.It is in this sense that two collected stories show different style and features.
出处
《辽宁师范大学学报(社会科学版)》
2011年第2期78-81,共4页
Journal of Liaoning Normal University(Social Science Edition)
关键词
呐喊
彷徨
自我认识
社会探索
嬗变
比较
Nahan
Panghuang
self knowledge
social explorations
evolution
comparison