摘要
在贡达尔叙事诗中,艾米莉·勃朗特巧妙利用第一人称多重内聚焦塑写女主角奥古斯塔。在多个贡达尔人物从不同视点评述女王形成的杂语中,奥古斯塔性格的多面性和复杂性逐渐变得立体丰满;同时,不同的身份话语凸显了个性观念,使第一人称多重内聚焦成为各种道德意识交汇、冲突与融合的手段。这种众声喧哗在多重内聚焦形成的叠合式空间里完成了对奥古斯塔立体、全面的道德评判。
In Gondal narrative poems,Emily Bronte skillfully manipulates the first-person multiple internal focalization to characterize the heroine A.G.A.The heteroglossia formed by the comments of Gondal characters from different viewpoints makes the versatility and complexity in A.G.A.'s personality stereoscopic and round;at the same time,the identity discourses highlight the individualized ideas,and consequently,the first-person multiple internal focalization becomes a device to make various moral consciousness interweave,contradict and fuse with one another.The heteroglossia is effective in making a comprehensive moral judgment of A.G.A.in an overlapped space formed by multiple internal focalization.
出处
《北京第二外国语学院学报》
2011年第2期23-29,共7页
Journal of Beijing International Studies University
基金
浙江省教育厅科研项目(项目编号Y200908505)<艾米莉.勃朗特诗歌研究>的阶段性成果
教育部"高等学校青年骨干教师国内访问学者项目"经费资助
关键词
艾米莉·勃朗特
叙事诗
多重内聚焦
身份话语
Emily Bronte
narrative poems
multiple internal focalization
the identity discourse