鲁迅绘画真实观的辨析

Differentiation and Analysis of the Verity Concept of Lu Xun on Paintings and Drawings

鲁迅一生与绘画结下了不解之缘,他不仅搜画、藏画,编辑出版了诸多中外画册,而且在文章、序跋、书信中阐述了自己对绘画的一系列主张。真实观,是鲁迅论绘画的基本观点,这一观点由三个相互关联的子观点构成,这就是常态的真实观、特性的真实观和精神的真实观。这些观点,既是鲁迅在现实主义原则基础上提出的,也是鲁迅在对各种与现实主义原则相悖的绘画现象的批判中构建的,所以,它们既有自己质的规定性,又有相应复杂的内容,需要具体辨析与研究。

Lu Xun＇s life is tightly bound to drawing and painting.He not only searches and collects drawings and paintings,edits and publishes a lot of Chinese-foreign picture albums,but also states his opinions on drawing and painting in articles,prefaces and letters.The ＂verity＂ concept,Lun Xun＇s essential view on drawing and painting,consists of three correlative sub-views—the ＂verity＂ concept of normality;the ＂verity＂ concept of speciality and the ＂verity＂ concept of spirit.Lun Xun puts forward these views on the basis of realism and of criticism of such drawing and painting that disobey the principles of realism.Therefore,they have their own qualitative prescription as well as the corresponding complicated contents,and need concretely differentiating and analyzing and studying.