唯美—颓废主义在现代文坛的接受——以《银杏之果》与《沉沦》为对象的比较研究

On the Contemporary Literary Arena's Acceptance of Estheticism and Decadence:Comparison of Fruit of Gingkgo Treeand Perdition

作为西方唯美颓废主义思潮在五四文坛传播的产物,《银杏之果》与《沉沦》在"自杀"这一共同的故事情节中,却表现出大相径庭的艺术趣味和人生追求:《银杏之果》明显体现了注重精神情趣的沃尔特.佩特的"刹那主义"的影响,而《沉沦》则在对"外在压迫"和"悲痛感"的强调中走向"颓废"的反抗,凸显出20年代知识分子中存在的两种不同的艺术观与人生观。

Though both as the outcome of accepting estheticism and decadence by ＂wusi literary arena＂, Fruit of Gingkgo Tree and Perdition show quite different artistic interest and life pursuit through the same suicidal plot. Fruit of Giugkgo Tree was obviously influenced by Walter Pater＇s ＂momentarism＂ which paid attention to spirit spice, while Perdition selected ＂decadent＂ revolution with emphasis on ＂out oppression＂ and ＂bitterness＂, which revealed two different outlooks on art and life among the intellectuals in 1920s.