中印古典诗学“韵”论美学意蕴的叠合与差异

On Aesthetic Connotation of "Yun" Between Chinese and Indian Classical Poetics

印度九世纪的欢增和中国十一世纪的范温不约而同地提出关于"韵"的诗学命题。他们将"韵"视为诗歌艺术的最高审美理想,并且都建立起了关于古典诗学韵论完整的理论体系。他们在诗学理念、审美意识、审美理想等方面存在着叠合和差异。

Anandavardhana, an Indian poetical theorist of the ninth century, and Fan Wen, a Chinese poetical theorist of the eleventh century, pose the propositions about rhyming. They hold that rhyming is the fascination of classical poetics, and also have established a theoretical system on rhyming. By comparison, we not only find some common features between these poetical theorists, but also comprehend the coincidence and differences between Chinese and Indian poetic theory, such as aesthetic conception, aesthetic ideal and thinking mode.