摘要
《左传》所见女性大多出身于春秋时代的贵族之家,深受礼乐文化熏陶。然而,礼崩乐坏的春秋社会让她们的文化身份不断演变。她们进入史册的过程,实际上也是被文学塑造的过程,等级社会下的礼乐文化制度自然成为考察《左传》女性形象塑造的文化背景。
Most of the females in Zuozhuan were born into noble families in the Spring and Autumn Period,and were imbued deeply by the ritual and music culture.The Collapse of Rites and music in the Spring and Autumn Period led to the gradual evolution of?female cultural identities.The process of their entry into the history is actually the process of their shaping by literature.The system of the ritual and music culture in the hierarchical society naturally became the cultural background under which the moulding of female images were investigated.
出处
《北方论丛》
CSSCI
北大核心
2011年第2期23-26,共4页
The Northern Forum
基金
黑龙江省教育厅人文社会科学项目"<左传>女性研究"(项目编号:11552349)的阶段性成果
关键词
《左传》
女性
文化身份
文学
Zuozhuan
Females
Cultural identity
Literature