中国画中的书法介入问题探析

An Analysis on the Problem of Intervention in Chinese Paintings

在中国传统绘画体系中,书法对中国画的介入曾经极大地影响了中国画的审美品质和形式因素。但当今中国画正由于书法精神的缺失,导致其主体精神和话语体系濒临异化的边缘。面对错综复杂的书画关系,主要从两者的渊源与功能分流、审美追求上的内在关联、书法的意象表达以及对中国画的介入等方面进行探讨。旨在梳理两者在主要范畴方面的相互关系,以便能够充分理解书画之间的内在关联,从更深层次上把握"以书入画"的精神本质,从而进一步发掘中国画笔墨语言的潜在审美特质,提高中国画的审美品位。

In the system of Chinese traditional painting, the interposition of calligraphy in Chinese painting enormously influences the aesthetic quality and formal factor of Chinese paintings. However, because of the shortage of calligraphic spirit, current Chinese painting is brought onto the verge of alienation of its main body spirit and discourse system. Confronted with the intricate relation between calligraphy and painting, a discussion is made mainly in aspects of the origins, function branches, and intrinsic relevancy of the two, the imagery expression of the calligraphy, calligraphy＇s interposi- tion in Chinese painting, etc. aiming to clarify the interrelation between the main domains of the two so that the intrinsic relevancy can be fully understood to master the spiritual essence 1, to get calligraphy into painting＂ at the deeper layer, thus further exploring the potential aesthetic feature of the pen and ink language of Chinese painting to enhance the aesthetic grade of Chinese paintings.