摘要
近十几年来,海派电视剧在日益繁荣的电视剧市场中始终处于劣势,甚至失去话语权2,008年、2009年2、010年上海地区收视份额较高频道的电视剧排行又一次显示出海派电视剧失语的现状。上海电视剧在制作导向、审片形式上的过严和内容上的过宽,本土制作团队的流失等成为海派电视剧淡出的主要原因。2010年成功举办的世博会,和已成为国际金融中心、国际航运中心的上海,都为海派电视剧的兴起提供了更高、更宽、更长足的发展平台,在此基础上,极有可能出现新的海派电视剧题材类型,值得我们关注并寄以期望。
Over the past more than 10 years,in an ever-increasing market competition of teleplays,the Shanghai-Style teleplay has always been at a disadvantage,even at a forgotten condition.The popular teleplay list from 2008 to 2010 based on the higher audience rating channels in the area of Shanghai has already showed this aphasia.The reason why the Shanghai-style teleplay gradually fades out is chiefly that the orientation of producing and the procedure of censor are too scrupulous while the demand of the content is too accommodating.And at the same time,the native producing team becomes more and more drained.Both the success of the 2010 Shanghai Expo and the establishment of Shanghai' s international finance center and shipping center supply the Shanghai-style teleplay with a higher,wider,longer platform of development.Hence,it is very likely to witness a new kind of the Shanghai-style teleplay.This perspective is worthy of our attention and let' s wait for its coming-out.
出处
《上海大学学报(社会科学版)》
CSSCI
北大核心
2011年第2期32-44,共13页
Journal of Shanghai University(Social Sciences Edition)
基金
上海市重点学科建设项目"电影学"资助研究(S30103)
上海市教委创新项目(B.10-0114-08-006)
关键词
海派电视剧
现实思考
后世博
Shanghai-style teleplay
practical thinking
Post-Expo