由贾府“四春”形象意蕴看《红楼梦》的思想与艺术

On the Thought and Art of Dream of Red Mansion from the Meaning of the Images of the Four Sisters of the Jias

从以实务虚角度看《红楼梦》中贾府"四春"的悲剧命运,作者的目的不仅仅是为了把她们的凄惨遭际展现给读者,更是要通过所塑造的"四春"形象的悲惨结局来替自己的同胞姐妹鸣不平,从而揭示出,封建社会的妇女无论有怎样高深的德才,都无法左右自己命运的悲剧根源,同时也含蕴出罪恶的封建社会是吞噬美的豺狼。在"四春"形象的塑造中,作者所使用的艺术手法是多姿多彩的,其中"圆形人物"笔法和"原型本真"的创作原则相得益彰。同时,通过环境描写以展示人物风韵的技法,通过对比描写来展示人物个性的卓绝功力,这种技能烘染出生活的立体感和鲜活感,不但描写得不露痕迹,而且描写得妙理深藏。

With the purpose of describing the tragic fate of ＂Si Chun＂ （The four sisters of the Jias： Yuan - churl, Ying- chun, Tan - chun and Xi - chun） in Dream of Red Mansions, the author not only just showed the miserable misfortune to the readers, but also cried out against injustice for his full sisters. Thus it is revealed that, in the feudal society, a woman no matter how ability and integrity she was, she couldn＇t master her own destiny. And the author also wanted to tell us the feudal society is the root of the tragedy and evil. During the characterization of the four sisters of the Jias, the art technique that the author had used was various; especially, the ＂round character＂ style and ＂prototype＂ principle could bring out the best in each other. Others such as, through the description of envirornnent in order to demonstrate the techniques of character charm; by comparing the description to show the personalities of the extraordinary skill, which dyed the life skills of baking and fresh sense of three - dimensional feeling, not only described it naturally, but also described it lived deep.