格式的特别 表现的深切——《道士塔》艺术魅力探微

Specialties in Format,Profundity in Expression:Exploration on Artistic Charm of Pagoda of Taoist Priest

余秋雨的文化散文代表作《道士塔》,打破了中国散文传统的结构布局和叙述轨迹,以貌似独立成节而又存在情感逻辑关联的单元故事结构全篇,开创了散文形式上的新格局。同时,诗意化的语言表达和虚构想象等技法的灵活运用,使作品蕴含着咀嚼不尽的艺术魅力,并以"格式的特别"深刻表现了他对文物被肆意"破坏"和"出卖"的强烈愤慨之情。

The cultural prose masterpiece Pagoda of Taoist Priest by YU Qiuyu breaks the traditional structural layout and narrative trajectory of Chinese prose,and creates a new pattern of prose forms by unit story.It seemingly separates section but looks like emotional logical relations to organize the whole structure.Meanwhile,the poetize language expression and the skills in the fiction,and imagination are flexibly used for making such works of art containing endless chewing charming,and embody strong indignation of willfully ＂being broken＂ and ＂being betray＂ to cultural relics.