摘要
2005年韩剧《大长今》在中国热播,电视剧业内人士、媒体、学者纷纷从各自的身份和立场出发,对"韩流"与中国文化的关系以及"长今"这一女性形象进行性别化的阐释,浮现出民族主义和社会性别两种话语。通过问卷和访谈,对大学生观众进行的调查显示,观剧是基于文化身份的选择性观看。中国青年学生热捧"韩剧"的背后是对中国文化身份的认同和对当代中国学习西方现代性的不满;男女观众在"长今"形象的阐释上有明显的性别差异,男性看到的是现代缺失的"完美的传统女性",而女性看到的是具有坚韧品格和追求事业的"现代女性"。
In 2005,the hit Korean TV Series ＂Dae Jang-geum＂ became an instant success in China.Chinese TV drama professionals,mass media and scholars were all eager to present their opinions,based on different identity and standpoint, on how the ＂Korean Fad＂ relates to Chinese culture,and the gendered Jang-Geum＇s female image.As a result,national discourse and gender discourse were emerged from the discussion.Based on audience surveys conducted among college students of one Chinese University by questionnaires and interviews,selective viewing of this TV drama series is based on the audience＇s cultural identities.Behind the popularity of Korean drama among Chinese youth are the recognition of a Chinese culture identity,and a dissatisfaction of how contemporary China is mimicking western modernity.Male audience saw Jang-geum as the ＂perfect traditional female＂ missing in the contemporary society,but female audience saw a ＂modern woman＂ with a strong personality and career pursuing.
出处
《中华女子学院学报》
2010年第5期33-39,共7页
Journal of China Women＇s University
关键词
国族身份
社会性别意识
长今
韩剧
大学生
national identity
gender consciousness
Jang-geum
Korean drams
college students
