论词学元范畴“情”

On Original Category "Emotion" in Ci-poetry Study

"诗言志、词缘情"是词学史上对诗词辨体的客观认知,"情"作为本体范畴成为词学理论界对词体最一般和最本质特性的概括。"词缘情"不仅承认了"情动于中"的创作本源,并且为了与外化之"志"有所区分,词之"情"又因其疏离了宏大的社会政治题材而更内敛为细腻幽微的个体心灵的情感体验;"情"、"意"范畴的融合,既使"情爱"的外衣下紧裹起家国王政之"志意",以比兴寄托的创作手法和鉴赏方法赋予"私情"以深远厚重的社会意义,又使词之美学风格坚守了低徊要眇、婉娈绰约的女性化意态。从这个意义而言,词学批评范畴从"艳情"观的形成到"情意"交融的过程实际上也是"情"之本体不断稳定、延伸和升华的过程,同时也折射出词之辨体与尊体的矛盾发展历程。

'ambition in poems, emotion in Ci' is an objective idea in the history of Ci-poetry study. The concept of 'emotion' is considered as an original category and is the most general and essential generalization of Ci in the field of Ci-peotics. In Ci-criticism, the forming process from the idea of 'sensational emotion' to 'the combination of emotion and intention' is actually a continual, extended and subliming process of the 'emotion' itself, which reflects the contradictory development history of distinguishing style and esteeming character of Ci.