摘要
对于"文本"与"型号"一直存在着不同看法,不同学派赋予了不同的内涵。于音乐表演艺术而言,同一首作品在不同表演家的表演中,版本是不相同的。在同一表演家的不同次表演中,版本也有可能是不同的。那么,各种版本是否具有合理性?就五位演奏家对《梁祝》的不同演绎,引发对文本与型号的思考。
As for the text and model,there have always been different views,different schools endowed with different connotation.As far as musical performing arts is concerned,with a piece of performance in different show,version is not the same.In the same show of different times show,version may be different.So,all versions do have the rationality.This article is an analysis of the"butterfly lovers"based on the five performers' different deduction,thus leading to the exploration of different musical texts.
出处
《怀化学院学报》
2010年第12期97-99,共3页
Journal of Huaihua University
关键词
音乐表演艺术
文本
型号
《梁祝》
Music performing arts
text model
"butterfly lovers"