摘要
"风骨"一词在汉语诗学批评中一直是一个很重要的理论范畴,汉文化中,它最早源于人物品评,随后转向诗文、书法、绘画等多个艺术门类。值得研究的是在我们多民族大家庭里,特别是在我国彝族发达的诗文论里,"风"、"骨"有别样的内涵,它们同样在自己的诗学理论中发挥了重要的作用。
＂Feng and Gu＂ are important theoretical categories in Chinese poetry.Such categories started in essays of comment on personas,and extended to poetry,calligraphy and paintings.This paper makes a comparative study on ＂Feng＂ and ＂Gu＂ between Yi and Han poetry.
