摘要
蒲松龄对八股文浸淫甚深,这使他自然而然地将这种强势文体的一些写作技法融入小说创作。讲究"相题而言"的八股文以悬想揣摩的代言机制及其"肖题"原则,进一步提高了蒲松龄的虚构想象与"肖物"能力,使他在小说创作中既能很好地代花妖狐魅立言,又能紧扣其原型特点,从而塑造出个性鲜明的人物形象。蒲松龄在安排小说情节时对八股文的"两扇题"结构技巧,对"伏应"、"渡法"、"入题"、"束比"等八股技法的结构功能也有成功借鉴。蒲松龄将八股文"顿挫错综"的行文原则用于小说情节设计,以"蓄"、"转"等文法使小说情节曲折多变,跌宕起伏。《聊斋志异》"亦谐亦庄"的艺术风格也得益于蒲松龄对一些八股技法的巧妙运用。
It is natural for Pu Songling,an expert at writing baguwen（eight-part essay）,to adopt some of its writing skills to create his novels.Firstly,he employed the skill of imagination in writing baguwen to portray many lifelike characters.Secondly,he borrowed a lot of structural devices from baguwen to arrange his plots.Thirdly,he followed the examples of baguwen to make up a mental outline of novel circumstance,which made some details very intricate.Finally,he used some skills of baguwen writing to bring about a good combination of comic and solemn elements.
出处
《南京师大学报（社会科学版）》
CSSCI
北大核心
2010年第6期125-132,共8页
Journal of Nanjing Normal University(Social Science Edition)
基金
黑龙江省社科基金(08C019)
关键词
蒲松龄
八股技法
《聊斋志异》
叙事艺术
Pu Songling
skills of writing baguwen
Strange Stories from a Chinese Studio
narrative art
