摘要
女性作家与地域文化有着天然的脐带关系,积淀着浓厚的地缘情结。与男性创作的地域文化特征不同,女作家的地缘情结呈现出明显的性别特征,这些具有性别特征的地域文化创作在使人们感受到传统文化背景下女性苦难和压抑的同时,又对女性创作的纤小、琐细和庸俗化起到一定的匡正作用。同时,女性创作的"地域性"也是一把"双刃剑",女作家在表现地域文化时不能仅仅局限于某一特定区域,而应在物理空间和精神空间上超越地域的局限达到与人类精神的共通。
Female writers have natural umbilical ties with regional culture. Different from the characteristics of regional culture in male's writings,female writers' regional complex takes on obvious gender features. Women's literary writings with regional cultural and gender characteristics present the misery and oppression suffered by women in traditional culture and correct to some degree the smallness,triviality and vulgarity characteristic of female's writings. Meanwhile,regional color in female's writing is a double-edged sword. In order to present regional culture,female writers should not be confined to a particular area. Instead,they should break the limits of physical and spiritual space so as to achieve the unity with human spirit.
出处
《山东大学学报(哲学社会科学版)》
CSSCI
北大核心
2010年第5期126-132,共7页
Journal of Shandong University(Philosophy and Social Sciences)
关键词
女性创作
地缘情结
地域性超越
women's literary writings
regional complex
regional transcension