哥特式艺术手法在《巴黎圣母院》中的继承与流变被引量：1

The Inheritance and Change of the Gothic Literature in The Hunchback of Notre Dame

下载PDF

导出

摘要发轫于18世纪中期的哥特小说是浪漫主义文学大潮中一个重要并且特殊的文学流派。但是,浪漫主义文学在吸收和借鉴哥特式艺术手法的基础上,摒弃了哥特小说的颠覆特质,不论在思想还是在艺术成就上都远远超越了哥特小说。浪漫主义文学的代表作品《巴黎圣母院》不仅继承了哥特式艺术手法,而且为其注入了新的内涵。 The Gothic novel which came out in the middle of 18th centry is an important and special sect of the Romantic literature. The two sects infiltrate and influence each other. However, the Romantic literature assimilates the means of artistic expression of the Gothic literature, and forsake the subversion of the Gothic literature. The Romantic literature transcends the Gothic literature far and away in the thought and the artistic accomplishment. The paper takes the ease of The Hunchback of Notre Dame,analyzing the The inheritance and advance of the Gothic Literature in this novel.

作者刘晓蕾

机构地区四川师范大学

出处《华北水利水电学院学报（社会科学版）》 2010年第6期58-60,共3页 Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition)

关键词哥特式《巴黎圣母院》继承流变 Gothic The Hunchback of Notre Dame Inheritance Change

分类号 I106.4 [文学—世界文学]

引文网络
相关文献

参考文献4

1[英]玛丽·雪莱.弗兰肯斯坦[M].胡春兰,侯明谷,译.北京:人民文学出版社,2004.
2肖明翰.英美文学中的哥特传统[J].外国文学评论,2001(2):90-101. 被引量：291
3刘易斯.修道士[M].李伟昉,译.上海:上海译文出版社,2002.
4[法]雨果.雨果论文学[M].柳鸣九,译.上海:上海译文出版社,1980.

二级参考文献11

1《创世纪》3．5.
2Marie Mulvey-Roberts, ed., The Handbook to Gothic Literature, New York: New York University Press, 1998, p. 65, p. 83, p. 9. p. 9.
3Richard Hurd, Letters on Chivalry and Romance, University of California Press, 1963, p. 61.
4David Punter, The Literature of Terror, London: Longman, 1980, p. 6.
5H. P. Lovecraft, "Supernatural Horror in Liturature," in Cliv Bloom ed., Gothic Horror, New York: St Martin's Press, 1998, p. 55.
6Long/nus, On Sublimity, trans. D. A. Russell, Oxford:Clarendon Press , 1965, p. 12.
7弥尔顿.《失乐园》第10章，第743—745行.天津人民出版社，1996年.
8Harold Bloom, "Introduction," in Bloom, ed., Mary Shelly's Frankenstein, Broomall, PA: Chelsea House Publishers, 1996, p. 5.
9John Bayley, " Oliver Twist : ' Things as They Really Are, '" in Dickens and Twentieth Century, eds. John Gross and Gabriel Parson, London: 1962, p. 64.
10Jonathan Edwards, "Sinners in the Hands of an Angry God," in Nina Baym et al., ed., The Norton Anthology of American Literature, 2th ed., New York: Norton &Company, 1985, p. 345.