摘要
学院派绘画风格是经过美术学院系统技法与严格的理念训练而形成的独特且严谨的绘画风格。后现代主义绘画艺术曾经风靡一时,给学院派绘画以严重冲击。然而,形式有余而内涵不足的现代与后现代绘画艺术终究因欠缺学院派绘画的扎实基本功训练而不为更多的观者所接受。中国当代画家应该在夯实牢固的学院派绘画风格的基础上,立足本土,真正创作出中国人自己的现代艺术作品。
The drawing style of the academic school is a special and rigorous one formed by combining the systemic skills with the strict training of ideas and theories. The modern and the post-modern drawing styles used to be popular and brought a serious impact upon the academic drawing style. However, they are not accepted by many viewers because they lack of connotation which is due to their lack of thorough training in basic skills. As the Chinese modern painters we should prepare ourselves with solid basis of the drawing style of the academic school, and base our paintings on our native land and create our own modern work of art.
出处
《天津大学学报(社会科学版)》
CSSCI
2011年第2期190-192,共3页
Journal of Tianjin University:Social Sciences
关键词
学院派
绘画
现代艺术
后现代艺术
传统文化
academic school
drawing
modern art
post-modern art
traditional culture