论敦煌佛教亡文审美内涵的多元化

On the Diversification of Aesthetics Connotation for Buddhist Wang-wen in Dunhuang

敦煌遗书里保留了大量的用于忌辰设斋时念诵的佛教亡文。敦煌亡文将佛教义理与世俗民众心理需求完美地结合在一起,构建了一个以济度为功能导向的审美体系。这一体系是以佛教空观之美为基础、以净土理想之美为指向、以供养之美为手段、以伦理之美为辅助的佛教应用美学观念之集合。敦煌佛教亡文审美内涵的多元化,充分表明了佛教美学世俗化发展的趋势和进程。

There are some pieces of Wang - wen which used in the Buddhist Funeral ceremony in Dunhuang documents. Wang - wen brings the Buddhist idea with the psychological demand of the temporal people perfectly to build an aesthetics system functioned to Jidu. This system is a jumble of the concepts for Buddhist Aesthetics which is based on the beauty of Kong Opinion, oriented to the beauty of Pure land, by the beauty of catering means and to be assisted by the beauty of ethics. The diversified aesthetic connotation of Wang - wen shows fully the development of Buddhist Aesthetics secularization.