摘要
《古诗十九首》中的抒情主人公,历来有多解,且均可通。这种一诗多重身份的现象并未引起人们重视。其实,这种特殊现象主要是由古诗的审美特性决定的,其目的就在于通过模糊抒情主人公身份,以收到解读域的最大值。这种审美特性又是文人作者学习乐府民歌后的创造性发展所致,更是特别的时代造成了文人特别的身份决定的。把握这一点对理解《古诗十九首》具有重要的意义。
There are many explanations about the hero in Nineteen Ancient Poems.However,this multi-identity of one poet has not aroused people＇s much attention.The author of the paper believes that this unique phenomenon is determined by aesthetic features of ancient poems,with its purpose to obscure the poet＇s identity so that the maximum of reading can be achieved.With special identity produced by special times,these aesthetic features are creative development of poets and writers,which is of great importance in appreciating Nineteen Ancient Poems.
出处
《常熟理工学院学报》
2011年第1期61-65,共5页
Journal of Changshu Institute of Technology
基金
江苏省教育厅项目"魏晋名士审美趣味变异及其影响研究"(ky2008049)
