论宋濂后期的诗文风貌

On the Writing Style of the Late Song Lian

至正二十年(1360)后,宋濂逐步完成了由隐逸之士向皇帝侍臣的角色转变。这一变化,使他的诗文观念及创作均呈现出了异于以往的风貌。笼统地以"台阁"代称宋濂后期的诗文风格是不符合客观实际的。宋濂虽有一些颇具台阁气息的诗作,但这些作品与稍后出现的台阁体却有本质的区别,它们与渴望归隐的恋乡之作共同构成宋濂后期诗歌的两大题材。颂圣应制之文在宋濂文集中也仅为少数,远非他后期散文的主流,墓志铭、塔铭等类应酬之作才是他后期文章的主流。而宋濂后期的传记文在题材方面多有开拓,在技巧上也取得了很高的成就,与此同时,游记散文同样不乏佳篇。

After the second year of Zhi Zheng（1360）,the Song Lian gradually completed the changing from the Recluse to the Official.This change makes his poetry and literature concepts a different from the previous style.It＇s not actual that Generally to say ＂Tai Ge＂ is the writing style of the late Song Lian.Some poems look like ＂Tai Ge＂,but these works are essential different from ＂Tai Ge＂.these works and those a desire for not going anywhere are the two major themes of Song Lian＇ late poems.Praising the emperor is also only a small number of collected works,far from the mainstream of his later prose.Epitaph and Ta Ming of those entertainment prose are the mainstream of his later articles.The biography of the late Song Lian exploit in the subject matter,also made in the technique of high achievement,at the same time,some travel essays are excellet,too.