对“十二音级双均多宫”的思考

Thinking of "the Twelve-tone Serial were made of Shuang Jun Duo Gong"

童忠良在《论十二音级双均多宫》一文中提出了"双均多宫"的逻辑思维框架,金虎在《均与宫"相互渗透"及"支均"说质疑》一文对童忠良提出的"双均多宫"以及"均宫渗透图(双均框架图)"的内容提出质疑。金文站在同均三宫基础上论证"均宫"不能互渗以及纠正童文图示错误方面值得肯定,本文在对童文"双均框架图"的理解上提出与金文不同的看法,在《涉江采芙蓉》的谱例分析上也与童文的理解有所不同。

Tong Zhong liang published a paper entitled 'the Twelve-tone serial were made of shuang jun duo gong',in which he put forward the logical framework of 'shuang jun duo gong'.Hu Jin published 'questions of periphrasis of 'gong' and 'jun' and theory of branch of 'jun'' in the fourth issue of Chinese Music,in which,author questions that Tong Zhongliang's theory about 'shuang jun duo gong ' and 'a graphic of periphrasis of gong and jun'.Jin Hu analyzes and on the stand point of 'tong jun san gong',he believes that'jun' cannot infiltrate with'gong',and his correction about Tong Zhongliang's graphic was worthy of affirmation.Author of this paper presents a new view that differs from Hu Jin's theory about 'graphic of gong and jun' and also put forward different views on analysis of the spectrum of 'Cross the River to Pick Hibiscus flower'.