大成若缺 赵坤陶艺“骨感肌理”论

Zhao Kun's ceramic "bony texture" theory

雕塑家赵坤？陶艺家赵坤？一道认识赵坤身份的难题困扰了我很久。这并非个案,把她放在中国当代艺术背景下审视,也可以发现许多作品有个自相缠绕的公案：是现代雕塑还是现代陶艺？围绕这个公案，赵坤的创作轨迹是不断从必然王国走向自由王国的过程。至少在我对她的十年观察中，有个从模糊到清晰的认知历程。

Zhao Kun's stylish ceramic arts explore the possibilities of‘mud' and 'fire' so as to achieve‘greatness' in the works.The richness in‘mud' shows abundant natural‘sign languages',while‘fire' in natural stove presents the mysterious‘seduce' and bring the feelings of‘if missing'.The texture feelings of this‘Great or overflowing virtue' are strong;I so call it‘bony texture'.