摘要
《焚巾曲》是流传于黔东南巴拉河两岸的丧葬风俗歌。从诞生之日起就具备了一种本性或生命形式。这种本性或生命形式是由时间、空间与方式完美融合而成的。即某一族群在某一历史时期依据生境而构建的族群文化方式,但其本性与生命一直贯穿于全部的发展历程中。因此,我们不能说"原生态文化"是被设想出来的,是"被原生态"的,是"想象的原生态"。它是一种客观存在。
"Fen Jin Qu" is a popular funeral song in Qiandongnan.From the very beginning of its emergence,"Fen Jin Qu" had its own unique nature or life form,which was perfectly integrated with the Miao culture,space and time."Fen Jin Qu",whose nature and life have run through the development of Miao,is a kind of cultural pattern which a certain ethnicity constructed based on the surroundings in a certain historical time.Therefore,"original ecological culture" is a social existence instead of an "imaginary original ecology".
出处
《凯里学院学报》
2011年第1期76-80,共5页
Journal of Kaili University
关键词
原生态
族群
历史时期
生境
文化方式
original ecology
ethnicity
historical times
surroundings
cultural pattern