摘要
明代的文学复古运动,从活跃于弘治、正德年间的以李梦阳、何景明为代表的"前七子"文学复古流派开始,经过唐宋派的冲击后,其间出现了中衰,但终于又在嘉靖中期后以李攀龙、王世贞为代表的"后七子"文学复古流派中继续进行下去。从其中衰的现象来看,包括"前七子"文学复古流派的消歇、唐宋派的冲击以及"后七子"文学复古流派的兴起这几个现象。要分析明代复古运动中衰的原因就不得不对产生这些现象的原因进行探析。在探析过程中也让我们看到了文学发展的复杂性与曲折性。
The Ming Dynasty Literature Restoring Movement began from the Former Seven Scholar Literature Restoring Genre between the age of Hongzhi and Zhengde,with the representatives of Li Mengyang,and He Jingming.After the impact of the genre of Tang and Song,there appeared in a middle decay,but finally the restoring movement kept carrying on in the genre of Post Seven Scholars,after the middle age of Jiajing,with the representatives of Li Menglong and Wang Shizhen.The middle decay phenomenon of that period include the decay of the former seven scholars literature restoring movement,the impact of the genre of Tang and Song and the rising of the post seven scholars literature restoring moment.Therefore,to analyze the middle decay of the Ming Dynasty Literature Restoring Movement has to take consideration of the above reasons causing the above phenomenon and in the process of analysis,the complexity of the literature development could be also discovered.
出处
《凯里学院学报》
2011年第1期123-127,共5页
Journal of Kaili University
关键词
明代
文学复古运动
中衰
the Ming Dynasty
Literature Restoring Movement
the Middle Decay