摘要
文章从审美现代性与音乐审美自律的演化角度,尝试提出以绝对音乐观念为代表的"器乐的自觉",是西方音乐进入现代性之后对自身合法性的诉求,它以高度发达的音乐思维为基础,体现为哲学高度的反思精神。
From the aspect of the aesthetic survey of modernity and evolution of aesthetic autonomy, this article suggests that ' instrumental consciousnesss' , of which the absolute music is typical concept, is a legal appeal of western music after it came into modernity. Based upon the highly developed musical ideas, it assumes a reflection spirit at philosophical level.
出处
《星海音乐学院学报》
CSSCI
2011年第1期14-21,共8页
Journal of Xinghai Conservatory of Music
关键词
西方音乐
现代性
审美现代性
形式自律
western music
modernity
aesthetic survey of modernity
form-autonomy