岭南音乐的文化解读

Cultural Resolution of Lingnan Music

文章以三段论模式解读岭南音乐的文化历程。即:百越文化积淀与岭南文化之源,岭南文化勃兴与岭南音乐之本,珠江文化拓展与岭南音乐流向。并列举古风俗之遗音创世歌、哭嫁歌、拦路歌、《越人歌》、大山歌、双声歌、刘三姐、咸水歌等为例,逐一论证。指出广东、广西、海南三省区七民族(包括汉族五民系)等子文化中的本土音乐,共构成多元一体的岭南音乐。

With syllogistic pattern, i. e. cultural accumulation of Baiyue and cultural origin of Lingnan, rise of Lingnan culture and root of Lingnan music, expansion of Peal River culture and flowing direction of Lingnan music, the article explains cultural course of Lingnan music. All the points are demonstrated by the songs with ancient relic, such as ehuangshi-song, kuyuan-song, lanlu-song, yueren-song, dashang-song and so on. The article suggests that native musics in sub-cultures of seven nationalities in Guangdong, Guangxi and Hainan provinces jointly form integrative music of plurality.