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曼德拉山岩画的存在论分析

Rock Hill Mandela Status and the Presence of a Basic Component
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摘要 无论是从被视知觉感觉到或经验到的意义和物体或现象来看,还是就曼德拉山岩画自身生存的具体语境而言,整个曼德拉山岩画视觉语言系统都可以被区分为独体岩画和合体岩画两个子系统。前者指内部有着一定结构关系的、相对独立存在的、意义相对完满自足的单个岩画形式,后者指由两个或两个以上独体岩画形式结构的、相对独立存在的岩画形式。曼德拉山岩画里比较多的是合体岩画形式。 Whether it is from being felt or experienced as the perception of the meaning and objects or phenomena of view, or Rock Hill to Nelson Mandela the specific context of their own survival, the entire system of visual language Mandela Rock Hill can Independent body be divided into two subsystems rock paintings and rock art fit. The former refers to the relationship between the internal structure has a certain, relatively autonomous, meaning relatively successful rock art in the form of individual self- sufficiency, which refers to two or more independent form of the body structure of the rock paintings, rock paintings form a relatively independent existence. Rock Hill Mandela is more fit in the rock art form.
作者 王毓红
出处 《内蒙古民族大学学报(社会科学版)》 2011年第1期32-37,共6页 Journal of Inner Mongolia Minzu University:Social Sciences
关键词 曼德拉山岩画 视觉语言形式 独体岩画 合体岩画 the rock art of Mandela Hill form of visual language independent rock art fit rock art
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参考文献1

  • 1E·G·波林《实验心理学史》,高觉敷译,商务印书馆1981年版.第697页.

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