20世纪30年代中韩左翼女作家创作中的女性意识变化——以萧红、姜敬爱创作中所体现的民族国家意识为中心

Changes of Feminine Consciousness in the Works of Chinese and Korean Left-wing Female Writers in the 1930s——Taking as a center the National Conciousnes in the Works of Xiaohong and Kang Kyong-Ai

1920～1930年代的中韩两地,日本帝国主义的扩张进一步激化了两地的社会矛盾,民族矛盾上升为当时社会的主要矛盾。这一转变也对当时的两地文坛产生了一定影响,具体表现为抗日题材作品纷纷登场,成为时代主题。女性文坛方面,两地女性作家不约而同地转变了创作视角,抗日题材的作品成为主流。本文主要以这一现象为研究对象,分析在民族、阶级及性别三重压迫的社会背景下,当时中韩两地女性文坛中最具代表性的女性作家——萧红与姜敬爱在创作中所表现出的与以往女性文学所不同的时代见解,及与当时男性作家相似的选材趋势。

Between 1920s and 1930s,social contradictions were aggravated in both China and Korea by Japanese imperial expansion and national conflict was elevated to be the principal contradiction.This change exerted great influence on the two literary worlds,which was specified as the successive emergence of anti-Japanese works.With regard to the female literary world,female writers of the two countries unanimously changed their creation visions and the anti-Japanese works became the mainstream at that time.This diesis,taking this phenomenon as the main research subject,analyses different views reflected in the creation of Xiaohong and Kang Kyong-Ai,the two most representative female writers at that time under the suffering of foreign invasion,class oppression and gender discrimination,as well as their tendency in material-selecting which was similar to that of the male writers.